What Happened to Goodbye

Written by Sarah Dessen

Goodreads Synopsis: Since her parents' bitter divorce, Mclean and her dad, a restaurant consultant, have been on the move--four towns in two years. Estranged from her mother and her mother's new family, Mclean has followed her dad in leaving the unhappy past behind. And each new places gives her a chance to try out a new persona: from cheerleader to drama diva. But now, for the first time, Mclean discovers a desire to stay in one place and just be herself, whoever that is. Perhaps Dave, the guy next door, can help her find out.


My Confession: Sarah Dessen is another one of those authors who I read incessantly as an adolescent. She certainly has a style, and many of her stories have similar themes of abandonment, loss, hesitant love, and a struggle to "fit in." I've always admired her ability to keep coming up with fresh stories of teens who didn't magically transform into vampires or discover superhuman powers on their sixteenth birthday. Her books are meant to be about real kids facing real problems in the real world. With an extra dose of drama, of course. And even though sometimes her stories feel a little too  similar, I still read everything she writes.

There was a lot about this story that I liked. I always admire how Sarah never makes the budding romance (in this case, between Mclean and Dave) the center of the story. This time, all the issues between Mclean and her mother, as well as the troubles at her father's new restaurant, stole the show. The focus was placed solely on Mclean's inner struggles as she tries to figure out who to be in this new town; being herself was never an option before, usually because her and her father leave town after a few months. But this time, she meets people she cares about, and wants to be her true self. But even that comes with baggage, and Mclean is certainly in her own head enough of the time to clue the reader in to her inner turmoil. I really enjoyed climbing inside her head, mainly because I think it's hard to write a character that readers of all backgrounds can identify with. However, does this inner voice start sounding a little too repetitive at times? Yes. Mclean comes off a little too wounded, and while I can understand--to an extent--why she feels that way, the sing-songy nature of her melodrama and self put-downs get a little old.

Recommendation: I totally get (and appreciate!) the fact that Sarah writes characters who form strong identities by the end of her books. But, I need those characters to show some semblance of identity at some point throughout the story. Dave is a great character, and I think he was under-utilized. As usual, the writing is great, and the cast of supporting characters steals the show again. In the future, I'd like to see Sarah go out on a limb and write something a little different than what she's used to. Throw out that old blueprint and create something totally off-the-wall. I'll always read her stuff, but I'd like to not be able to always predict where everything is going.

Rating: 3/5

402 pages, published by Penguin Young Readers Group

One Day Movie Review

When I reviewed One Day this past June, I was on the edge of my seat with anticipation over the film adaptation. I fell in love with the story, fell in love with Emma and Dex. It's a spell-binding, magical tale of love and friendship that slaps you in the head with its blinding ending. The pace is magnificent, and the attention to detail really makes you feel like you're experiencing all these things with Emma and Dex.

I was so pleased with the film, for a few reasons. First, David Nicholls (the author) also wrote the script, which pretty much guaranteed that the movie would honor the book, which it did. And the few places it wavered--I liked them even more. They made sense, cinematically. Not all scenes in a book translate well to the screen; sometimes the drama needs to be heightened, the senses assaulted in a different way. And this adaptation did a fantastic job staying true to the novel while taking liberties that made the film version even more engaging.

Jim Sturgess is amazing. I can't say enough good things about how wonderfully he portrayed Dexter. He was absolutely perfect in this role. Dex was the character who moved me the most in the book, perhaps because he's the character who goes through the most change. And, in the end, he's the character who has to live through numerous personal tragedies. I love Anne Hathaway, and in many ways, I think she embodied Emma very well. But her British accent is just awful. A few times, it even sounded like she slipped into an Irish or Scottish brogue. She had the face and personality for this character, but her voice was painfully distracting. But the two of them together? Pretty perfect. They played off each other so well, and the chemistry was definitely there. And since the whole story is about this deep-rooted and undeniable connection between two characters--despite how long it takes them to realize and then accept it--finding actors who could really become these two people was so important and necessary for the film's success.

In the end, the love is center-stage, as it should be. And, happily, the film producers didn't pull a My Sister's Keeper  and completely change the ending. It's a rough ending; I've said that a few times. But I love the way the film does it, and I especially loved the final scene. It sounds corny to say it was beautiful, but it was. I was moved. It was something extremely special to watch on screen, especially after reading the book. They did a wonderful, lovely, careful job with an ending that is, at the very least, extremely emotional. But it's poetic. And stunning. It's not a Disney tale of a prince or princess, but it has that true-love-never-dies quality to it. The message that real, genuine love is beyond the grasp of everything in the world. It's a story of hope. And, despite everything you watch over the course of the almost two-hour film, you'll leave the theater with a smile on your face and a slightly damp tissue in your pocket.

Photos courtesy of Google Images, and video courtesy of YouTube

This is Where I Leave You

Written by Jonathan Tropper


Goodreads Synopsis: The death of Judd Foxman's father marks the first time that the entire Foxman family--including Judd's mother, brothers, and sister--have been together in years. Conspicuously absent: Judd's wife, Jen, whose fourteen-month affair with Judd's radio-shock-jock boss has recently become painfully public.
Simultaneously mourning the death of his father and the demise of his marriage, Judd joins the rest of the Foxmans as they reluctantly submit to their patriarch's dying request: to spend the seven days following the funeral together. In the same house. Like a family.
As the week quickly spins out of control, longstanding grudges resurface, secrets are revealed, and old passions reawakened. For Judd, it's a weeklong attempt to make sense of the mess his life has become while trying in vain not to get sucked into the regressive battles of his madly dysfunctional family. All of which would be hard enough without the bomb Jen dropped the day Judd's father died:  she's pregnant. 


My Confession: I was first drawn to this book because of the cover. It's not just colorful--it's textured. I'm all for tactile stimulation (which is perhaps why I'll never warm up completely to ebooks), so the sensation of this book in my hands felt about as authentically literary as you can get. Before I even read the summary on the back, I was sold. And once I cracked the pages, I was hooked. Tropper has one of the most fantastic literary voices I've ever read. He's witty, sardonic, self-deprecating, wry, and intuitive, and because of this, he draws us in to his multi-faceted character and the complicated, tangled mess that is his life. After the first page, I was invested. That kind of writing takes incredible skill.


Sitting Shiva: This book, structurally, takes place over seven days, but we're treated to Judd's romantic, scholastic, and familial history throughout the novel. We're thrown so deeply into his head that we feel his fears, his desires. His betrayals are our betrayals, his depression our own. I don't think this story could have been as moving without the first-person narration. Seeing the other characters through the filter of Judd's memories and experiences paints a fulfilling picture. In other words, I didn't need to know their side of the story; I knew and trusted my narrator enough to take his descriptions at face value. Again, a very difficult feat that Tropper does easily. Judd is such an incredibly flawed character, and his family is positively certifiable. What goes down during those seven days (and the past thirty-something years that lead up to the family sitting Shiva) proves the point that relationships, love, and--most importantly, memories--are imperfect. As Judd tries to work through the quicksand of despair that seems to come at him from all angles, he's forced to confront decades-long resentment and guilt. Most importantly, the reader is left with the notion that silence, and a lack of trust in those closest to you, never bodes well. Silence is not golden.


My Recommendation: Every single character in this novel is flawed. Every single one seems to have a secret, a battle, a cross to bear in some way. The way they're tied together makes for one insanely intricate novel. However, the pieces click together impossibly well, and the reader feels just as connected to those characters as Judd does. In fact, in the middle of this read, I felt like I had to physically pull myself out of Judd's skin when I'd put the book down--and I'm a girl. For the first time, I felt like I could relate to and understand a male narrator who, while a bit more dramatic, had worries, fears and doubts not unlike my own. My family is a lot less dysfunctional, but every family has problems somewhere. This is Where I Leave You doesn't bother to romanticize the kinds of relationships most people simultaneously treasure and long for. And that's precisely what makes it so special.


Rating: 4.8/5


339 pages, published by Dutton Adult (Aug. 6, 2009)

One Day

Written by David Nicholls


Synopsis: It's 1988 and Dexter Mayhew and Emma Morley have only just met. But after only one day together, they cannot stop thinking about one another. Over twenty years, snapshots of that relationship are revealed on the same day--July 15--of each year. Dex and Em face squabbles and fights, hopes and missed opportunities, laughter and tears. And as the true meaning of this one crucial day is revealed, they must come to grips with the nature of love and life itself.


My Confession: I'd been wanting to read this book for quite some time, and I'm almost embarrassed to admit that it was the film version (which looks rather good, by the way) which lit a fire under me to finally pick it up. And I loved it. Every single, love-struck, frustrating, devastating page. This is a love story. This is the way love should be written about. This book has so much heart. The best part about it is that the relationship between Dexter and Em is far from perfect; in fact, they don't see each other every year on July 15. Their lives take them different places and in different directions. They both screw up, they both love other people. But in the end, the undeniable tug toward each other just steals the show.


Dexter Drama: One of the main criticisms I've seen for this book is the supposed "unlikable and shallow" character of Dex Mayhew. I'll be the first person to say that Dex does come off as selfish, daft, lazy, narcissistic, and blind to all the good in his life. He takes Emma for granted for most of the book and makes more mistakes than most people get away with in life. However, despite his hopeless flaws, I find Dex a wonderfully refreshing and realistic character. Yes, he's an ass. Yes, he uses people and struggles with personal relationships. But at his core, we're supposed to believe that Dex is a good person with a good heart. And no matter where his drama takes him throughout the book, no matter how many women he sleeps with or how his alcoholism ravages a promising career, I never doubted that he loved Emma with every fiber of his being. 


His love for her makes him a redeemable character. I've known guys like Dex: guys who act like big shots; guys who think they are going to become famous and "make something" of themselves; guys who come across as having gigantic egos; guys who love pretty women and have trouble settling down. But at the end of the day, I've learned that those guys can also be charming, endearing, and just plain good. Maybe it's that connection that left me enjoying the refreshing way Dex was written. He's not Prince Charming; that's not the point. He's real. And it works.


The ending: Hated it. Loathed it. Couldn't sleep after I read it. But that's what makes it a great ending. Emotionally, I wanted to rip Nicholls a new one, but I truly appreciate how deeply this book hit me. There hasn't been a story that kicked me in the gut as hard as this one. I got so attached to the characters, so attached to the story, and when it was over, I wanted more. I'm very curious to see how the movie handles this, as the ending is far from prettily Hollywood. I won't go into specifics, but somehow, after spending a few days thinking about it, the ending makes sense for the story. It resonates. As it should. 


Recommendation: Read it. It's magical. It provides that sweetness of romance with the bluntness of reality, a feat that's difficult to accomplish. Love can become cliche, but One Day cleanly rides the line between saccharine and harsh. You'll laugh, you'll cry. You'll probably go see the film and bemoan Anne Hathaway's fake British accent (I love her, but...no). You won't be able to put this one down, or stop thinking about it for days to come.


Rating: 5/5


437 pages, published by Hodder & Stoughton (April 13, 2004)